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https://en.wikipedia.org/w/index.php?title=Thick_description&oldid=982677862, Articles with unsourced statements from July 2019, Creative Commons Attribution-ShareAlike License, thin, which includes surface-level observations of behaviour; and. As cultures are dynamic and changing, Geertz also emphasizes the importance of speaking to rather than speaking for the subjects of ethnographic research and recognizing that cultural analysis is never complete. Lincoln, Yvonna S., and Egon G. Guba. With the interpretive turn, contextual and textual information took the lead in understanding reality, language, and culture. Thick description involves writing detailed narratives or ‘vignettes’ explaining situations and their background … There is an important difference, however, between seeking to clarify particular interpretations of cultures and trying to look beyond the particular to universal models of humanity. Following Ryle's work, the American anthropologist Clifford Geertz re-popularized the concept. They resolve so many fundamental problems at Known for his symbolic and interpretive anthropological work, Geertz's methods were in response to his critique of existing anthropological methods that searched for universal truths and theories. Basic Books, 1973. Previous anthropologists sought in culture a basic essence of humanity. Change ). "Geertz on Religion: The Theory and the Practice". Clifford Geertz Basic Books, 1973 Chapter I / Thick Description: Toward an Interpretive Theory of Culture I In her book, Philosophy in a New Key, Susanne Langer remarks that certain ideas burst upon the intellectual landscape with a tremendous force. According to Geertz’s, ethnography is by definition “thick description”—“an elaborate venture in.” By example of “winking,” Geertz observes how—in order to differentiate the winking from a social gesture, a twitch, etc.—we must Thick Description: Toward an Interpretive Theory of Culture by Clifford Geertz. How Are Thick Terms Evaluative? Brent G. Kyle - 2013 - … Because of this, Geertz's influence is connected with "a massive cultural shift" in the social sciences referred to as the interpretive turn. What has all this to do with literary criticism? ( Log Out /  To understand humanity, we must wallow in the microscopic scale of particular cultures that comprise it and confront our “lack of familiarity with the imaginative universe within which their acts are signs” (13). The interpretive turn in the social sciences had strong foundations in cultural anthropological methodology. 1 thought on “Clifford Geertz’s “Thick Description”” Greenblatt’s “Towards a Poetics of Culture” – Iter Per Litterās 8 Oct 2019 9:09 pm Reply […] is, in the lingo of Anthropologist Clifford Geertz, New Historicism views culture as an interpretable web of signification spun by human […] These ideas would challenge Edward Burnett Tylor's concepts of culture as a "most complex whole" that is able to be understood; instead culture, to Geertz, could never be fully understood or observed. and "Thinking and Reflecting".[2]. Munson, Henry. Humans cannot be understood separate from their culture. Contents Preface PART I 4 Chapter 11 Thick Description: Toward an Interpretive vii Theory of Culture 3 PART II Chapter 21 The Impact of the Concept of Culture on the Concept of Man 33 Chapter 31 The Growth of Culture and the Evolution of Mind 55 PART III Chapter 41 Religion As a Cultural System 87 Chapter 51 Ethos, World View, and the Analysis of In his important essay “Thick Description: Toward an Interpretive Theory of Culture” anthropologist Clifford Geertz aims to provide social science with and understanding and appreciation of “ thick description .”. [1] Since then, the term and the methodology it represents has gained widespread currency, not only in the social sciences but also, for example, in the type of literary criticism known as New Historicism. Geertz, Clifford. “What man is,” he writes, “may be so entangled with where he is, who he is, and what he believes that it is inseparable from them” (35). While Geertz applies thick description in the direction of anthropological study (specifically his own ‘interpretive anthropology’), his theory that asserts the essentially semiotic nature … 文献 C・ギアツ「厚い記述——文化の解釈学的理論をめざし て」『文化の解釈学I』(吉田禎吾ほか訳)岩波書店、1987年(Geertz, Clifford.,1973, Thick description: Toward an interpretive theory of culture, in "The Interpretation of Culture", New York: Basic Books.,pp.3-30.) [6], Geertz pushes for a search for a "web of meaning". Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. He called the confusion over how to define culture a “conceptual morass” (4). In order to preserve the usefulness of this concept, he claimed, culture needed to be limited, specified, focused, and contained. The claim to attention of an ethnographic account does not rest on its author’s ability to capture primitive facts in faraway places and carry them home like a mask or a carving, but on the degree to which he is able to clarify what goes on in such places, to reduce the puzzlement—what manner of men are these?—to which unfamiliar acts emerging out of unknown backgrounds naturally give rise. [11][12], Geertz's thick description approach, along with the theories of Claude Lévi-Strauss, has become increasingly recognized as a method of symbolic anthropology,[7][3] enlisted as a working antidote to overly technocratic, mechanistic means of understanding cultures, organizations, and historical settings. The web of signification that contextualizes the wink seems potentially endless: What the ethnographer is in fact faced with…is a multiplicity of complex conceptual structures, many of them superimposed upon or knotted into one another, which are at once strange, irregular, and inexplicit, and which we must contrive somehow first to grasp and then to render. He describes an anthropological account as identical to Flaubert’s story of Madame Bovary. Following Ryle's work, the American anthropologist Clifford Geertz re-popularized the concept. In the social sciences and related fields, a thick description is a description of human social action that describes not just physical behaviors, but their context as interpreted by the actors as well, so that it can be better understood by an outsider. Geertz interpretive theory gives literary critics a way to think about how to connect a given text to the long lost historical and cultural context it emerged from. This method is essential to approach the actual context of a culture. We will be presenting on Clifford Geertz and his paper “Thick Description: Toward an Interpretive Theory of Culture”. The New York Times September 25, 1983. The Thinking of Thoughts: What is 'Le Penseur' Doing? 1983. Beneath the diversity of human culture, they claim, lies a stable or unchanging essence. As such, Geertz points out that interpretive works provide ethnographers the ability to have conversations with the people they study. Geertz differentiates these two descriptions using the example of “winking.” The act of winking involves twitching one’s eye muscles so that the lids of the eye blink. 1986. “Thick Description: Toward an Interpretive Theory of Culture” from The Interpretation of Cultures: Selected Essays (1973) Clifford Geertz Editors’ introduction It should not be surprising, after reading Raymond Williams’s etymology of culture (see p. 15) – in which Thick description was first introduced by the British philosopher Gilbert Ryle in 1949 in "The Thinking of Thoughts: What is 'Le Penseur' Doing?"

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