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Nov 28

8 I was converted to the Mozart piano in 1948, after a series of private concerts at which the remarkable Isolde Ahlgrimm played Mozart’s Piano Sonatas on a Walter pianoforte. This is not so in the introspective Adagio in E flat major. 8 • Switch back to classic skin, Creative Commons Attribution-NonCommercial 3.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0, Creative Commons Attribution Non-commercial 3.0, International Harp Archives at Brigham Young University, Piano Sonata No.3 in B-flat major, K.281/189f, Piano Sonata No.4 in E-flat major, K.282/189g, Piano Sonata No.10 in C major, K.330/300h, Piano Sonata No.11 in A major, K.331/300i, Piano Sonata No.12 in F major, K.332/300k, Piano Sonata No.13 in B-flat major, K.333/315c, Piano Sonata No.17 in B-flat major, K.570, http://imslp.org/index.php?title=Piano_Sonata_No.16_in_C_major,_K.545_(Mozart,_Wolfgang_Amadeus)&oldid=3083748, Pages with scores from the Digital Mozart Edition, Pages with files from the Neue Mozart-Ausgabe, Scores from Bibliothèque nationale de France, Scores from the International Harp Archives, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. 10 10 Mozart called his Sonata K 545 “Eine kleine Klavier-Sonate für Anfänger” (A little clavier sonata for beginners) when he entered the theme in the catalogue of his works on June 26, 1788. 6 SECOND MOVEMENT   The second movement, an Andante, is all resignation and melancholy – undoubtedly the greatest movement in the Sonata. The seven measures of the main theme are repeated, slightly varied. PLAYLIST VIDEO. 2 SECOND MOVEMENT   The two following movements, on the other hand, already match the succeeding sonatas. 2 10 2 Madame von Trattner (1758 1796) was a pupil of Mozart and the wife of Mozart’s wealthy and influential landlord. This sensational success was repeated a few years later at his debut in Tokyo. Mozart added the work to his catalogue on June 26, 1788, the same date as his Symphony No. 6 SECOND MOVEMENT   According to Daniel Schubart’s aesthetic theory, E flat, the key of the middle movement, was the key “of love, prayer, intimate converse with the Almighty, signifying the Trinity with its three flats”- a characterization which does seem to apply, for once, to this rather solemn and profound Andante cantabile movement. 6 0.0/10 4 In both pieces, the original lament of the siciliano resolves into a warm A flat major melody with a gently moving accompaniment. He was meticulous in providing it with plenty of articulation signs and dynamic marks. 4 THIRD MOVEMENT   The final rondo is in gavotte rhythm; it is packed with the expression of high spirits and concerto-like effects, for instance with the short cadenza in measure 43 and the return of the theme beneath a trill accompaniment (m. 114f). -  In total we know of 18 piano sonatas by Mozart. *#86760 - 1.32MB, 15 pp. 6 8 In the development, a storm breaks out; this passage is without parallel or precedent in Mozart’s piano works. *#303187 - 0.68MB, 23 pp. Those files are part of Moliantegok Catalogue for saxophone, Sonata facile ; Sonata semplice ; Kleine Sonate ; Sonata for Beginners. LIKE 8. It returns with shattering force in the final rondo in which lamentation, protest, resignation, breathless terror and despair are constantly interrupted by silences which render the cries vain and hollow. It requires the ability of a feeling heart to express music as an affectionate communication between performer and listener. The expression is so tender and intimate that this movement might well have been labeled “amoroso” like the Andante from the preceding sonata. 6 *#491814 - 0.64MB, 4 pp. His unusual musical talent very soon became evident and was appropriately encouraged. 8 FIRST MOVEMENT   Remarkably, this sonata opens with a slow movement like the A major Sonata K. 331. 6 Unlike all the succeeding sonatas, it lacks a characteristic significant opening theme. Under the seemingly simple statements there is a profound undercurrent of emotion. 2 In a letter of 1789 Mozart told his creditor Puchberg that he intended to write six simple sonatas for Princess Frederica of Prussia in order to raise some money. 8 Rondo 6 A return to the main theme(s)).

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