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Nov 28

Find helpful customer reviews and review ratings for The Night Comes on at Amazon.com. This revenge film with unshakable heart is an assured debut for most of those involved. Night Comes On (2018) User Reviews Review this title 12 Reviews. "Night Comes On" is built around the numbed, distant stare of its heroine, Angel (Dominique Fishback), a teenage girl who wants to kill her father for murdering her mother. Read full review We are constantly aware that both of these girls are on their own, whether Angel is facing the sleazy father of a former soulmate (Max Casella) from whom she hopes to purchase a gun, or a parole officer (James McDaniel) who frankly tells her that nobody cares about her and she might as well get used to it. There is nothing new or striking here, but rather emphatically emotional, in a film about decisions that never quite convinces in terms of hypothetical revenge. Sign up here. The actress Jordana Spiro directed Night Comes On and wrote the script with Angelica Nwandu, a spoken-word poet and creator of the incisive gossip website The Shade Room. The story begins in relative tranquility, with Angel remembering what it was like when her parents were both alive and still together; then we move into the present day, when Angel has just been released from prison as a juvenile. Night Comes On focuses on the challenge of trying to make sense of a situation that makes no sense at all, and its suggestion of revenge is one method, and its suggestion of love is another. With Jill Rene, Nastashia Fuller, John Earl Jelks, Dominique Fishback. The result of their partnership is a film that balances penetrating clarity with compassion. Coursing through the aftereffects of juvenile detention, family trauma and even the possibility of murder, Spiro paces her story and its emotions with great control and deliberation. A bravura performance from Dominique Fishback brought this film to vivid life. Copyright © Fandango. As it is, we are building and building to an inevitable confrontation which can only go one of two ways, and it’s hard to shake the feeling that the film might’ve been stronger had it chosen to go on several beats longer. Sort by: Filter by Rating: 7 /10. A bravura performance from Dominique Fishback brought this film to vivid life. Fortunately, “Night Comes On” continues to dial back its sense of drama for its long-awaited final confrontations, which offer open endings that hint at a future worth pursuing. The glimpses we get of Abby’s living conditions—she’s packed into a basement room with other foster children even as her white foster mother’s biological daughter lives upstairs in comfort—hint at the larger context of racism and neglect enfolding this particular story. Forgot your password? What's especially marvelous is how the separate elements come together to be more than the sum of each part, working in subtle harmony with actors and director to tell the story. Film Review: ‘Night Comes On’ Rising star Dominique Fishback makes good on her TV promise in this tough-love juvenile offender study, an equally promising debut for director Jordana Spiro. A moving, riveting movie that highlights the power of sisterhood, both on and off screen. The instrument of that diversion is her kid sister Abby (Tatum Marilyn Hall), a wry and thoughtful girl in foster care who seems to have escaped at least some of the damage inflicted on Angel, or maybe is just better at compartmentalizing it. Please enter your email address and we will email you a new password. All rights reserved. Night Comes On also introduces a lot of new talent, and though it's a quieter more introspective film, it's also one that's definitely worth seeking out. Some conventional scenarios are elevated, particularly by a great performance from Fishback. Night Comes On starts with Angel catching a bus outside the detention center. This is a hard movie, unflinching and real, but told with sensitivity and care, aided by a terrific lead performance. [Full review in Spanish]. Night Comes On lodges its revenge saga within a cycle of violence, exploring not the cycle's violent outcomes, but the moments that build to them. Every year people go to Sundance hoping to discover some new, emerging voices in cinema. and the Terms and Policies, Review: Night Comes On Night Comes On details two days in the impossibly difficult life of Angel (Dominique Fishback) as she’s released from juvenile detention on her 18th birthday. Read honest and unbiased product reviews from our users. I am surprised by some of the bad reviews here, watch it for yourself. Night Comes On starts with Angel catching a bus outside the detention center. The movie never entirely convinces us that its heroine has the capacity to kill, although her pain and loss are conveyed with skill by Fishback. The structure of the story also proves frustrating. ...pays special attention to tender touches. This debut feature from co-writer/director Jordana Spiro and co-writer Angelica Nwandu (drawing partly on the latter's own experience) does such a good job of conveying a free-floating feeling of hopelessness that you can imagine many different reasons for this even though you haven't gotten all the details yet. An impressive directorial debut for Jordana Spiro, and a powerful showcase for two young actresses with a bright future ahead of them. Hide Spoilers. The emotions of a child who wants to murder a parent are so powerful that they deserve more thorough and nuanced exploration than the movie permits. Her first stop is the see her Parole Officer (James McDaniel). But this is still an unusual and interesting feature that tries to convey the inner state of a non-communicative young woman mainly through reaction shots of her face. The abundance of exposure makes it impossible to unite and turn small moments into great ideas, leaving the narrative of the broken family on a predictable ground. Don't have an account? Small but impactful, this heartbreaker still fills us with a surprising hope. Over a scant 80 minutes, Night Comes On follows the sisters as the travel in the search of catharsis. Night Comes On is told through Angel's observations and Spiro firmly establishes us in her world. Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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