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Nov 28

He produced many strange, evocative charcoal drawings that he called his 'noirs' ('black things').Many of these, including The Spider, a drawing of 1881, were later worked up into lithographs in order to profit from greater distribution. VIDEO: AIPAD Exclusive: Interview with Catherine Edelman, President of AIPAD, VIDEO: Robert Mapplethorpe at Sean Kelly Gallery | ADAA, Edward “Hopper Drawing” at the Whitney Museum, Interior with a Book by Richard Diebenkorn, Atmosphere Chromoplastique by Luis Tomasello, Street Scene in Berlin (Berliner Strassenszene) by Ernst Ludwig Kirchner, Sitting Female Nude with Yellow Blanket by Egon Schiele, The Gare Saint-Lazare: Arrival of a Train by Claude Monet, Madame X (Madame Pierre Gautreau) by John Singer Sargent, Little Girl in a Blue Armchair by Mary Cassatt, Paris Street; Rainy Day by Gustave Caillebotte, The Luncheon on the Grass by Edouard Manet, Portrait of Dr. Gachet by Vincent Van Gogh, Portrait of Pere Tanguy by Vincent van Gogh, Luncheon of the Boating Party by Pierre-Auguste Renoir, The House of Parliament, Stormy Sky by Claude Monet, Still Life with Bottle and Apple Basket by Paul Cezanne, The Boulevard Montmartre at Night by Camille Pissarro, A Sunday on La Grande Jatte by Georges Seurat, Deepened Impulse (Vertiefte Regung) by Wassily Kandinsky, Restaurant de la Machine at Bougival by Maurice de Vlaminck, Portrait of Gertrud Müller by Ferdinand Hodler, Mystery and Melancholy of a Street by Giorgio de Chirico, Garçon a la Pipe (Boy with Pipe) by Pablo Picasso, Bathing of the Red Horse by Kuzma Petrov-Vodkin, Poems of Peace and War by Guillaume Apollinaire, Boy with Knapsack – Color Masses in the Fourth Dimension by Kazimir Malevich, Dynamism of a Soccer Player by Umberto Boccioni, Nafea Fas Ipoipo (When Will You Marry) by Paul Gauguin, Self-Portrait with Thorn Necklace and Hummingbird by Frida Kahlo, Figures in the Night Guided by the Phosphorescent Tracks of Snails by Joan Miro, Dinamismo di un’Automobile by Luigi Russolo, Portrait of Chess Players by Marcel Duchamp, The Artist’s Father, Reading “L’Événement” by Paul Cezanne, Garden of Earthly Delights by Hieronymus Bosch, The Massacre of the Innocents by Peter Paul Rubens, Allegory of Sight by Jan Brueghel the Elder and Peter Paul Rubens, Haystacks: Autumn by Jean-Francois Millet, Grande Odalisque by Jean Auguste Dominique Ingres, Princess Tarakanova by Konstantin Flavitsky, Echo and Narcissus by John William Waterhouse, Girl with a Pearl Earring by Johannes Vermeer, Rubens, His Wife Helena Fourment, and Their Son Peter Paul, The Great Wave off Kanagawa by Katsushika Hokusai. Apart from some unsuccessful early attempts at landscape painting, Redon (1840-1916) worked almost exclusively in black and white until he reached the age of 50. He himself wanted to place "the logic of the visible at the service of the invisible". This drawing was described by J.K. Huysmans in his classic novel of decadence A Rebours (1884, translated as Against Nature). A strange smiling spider with ten legs is the subject of Redon's lithograph. It is the agent of the mind far more than the most beautiful color to the palette or prism.” – Odilon Redon. The spider's round fuzzy body has a human face, with snub nose and a wide smiling mouth that reveals a row of tiny teeth. The spider, with ten legs rather than the usual eight, smiles mischievously as it performs a lopsided dance. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a spider with a human face lodged in the centre of its body.

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