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Nov 28

You’ll notice an increase in the ‘click’ sound in the kick drum. This website uses cookies to improve your experience while you navigate through the website. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. Next up is a bit of sidechain compression. It’s often the case that setting the release to Auto can offer the best results. Try sending the kick to a send channel with a reverb on 100% with long decay, try using convolution for a change. If you’re serious about making techno, then you’ll need a good understanding of how to make a serious kick drum. Dial it in all the way. And these ideas can apply to any genre. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. The next step is to use some EQ to sculpt the sounds. After applying EQ to all three layers, the overall combination now sounds like: Let’s now group the kicks together so we can process them as one: Firstly, let’s tigthen the dynamics. Essentially what happens is the metered volume comes down as is cuts the transient, but the perceived or audible volume comes up. Reverb on a kick drum is generally a bad idea because it makes the bottom end of your mix muddy and you’ll lose clarity on both the kick drum and the bass guitar. We'll assume you're ok with this, but you can opt-out if you wish. Next up is a bit of sidechain compression. Discover how to make your kick and bass hit hard by cutting (NOT boosting) the right frequencies! While I encourage you to experiment with kick reverb, do be careful! This website uses cookies to improve your experience. Often the stock plugins available in our DAW are more powerful than you might realise. Reverb and delay can also sound great on both your kick and bass. Time to introduce the reverb. We have also boosted the lowest frequencies with a low shelf boost around 80Hz to help develop the sub and introduce more low punch of the kick. To take these techniques further try experimenting with different distortions and saturation plugins on the kick and other reverb plugins. The limiter clips the top of the transient off but make sure you play around with the release as too little or too much could end up making it sound messy or thin. Dial it in all the way. These cookies will be stored in your browser only with your consent. Taking the volume up a further gear, we’re going to apply a limiter to the kick. The compressor is routed so that it is triggered by the kick drum group. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Getting the balance right early on makes it easier when shaping the final sound. You also have the option to opt-out of these cookies. On the bus we went straight in and applied the Ableton reverb with a Dark Hall setting. The differences are subtle but are essential for our final sound. But in any case, it has to be used artistically or it can turn into a mess. Start by sending your kick to an empty available bus. Second, there’s no rule against automating one kick to shoot into a reverb for accent. You can download the same samples we used here: We’ve selected three different samples to combine for our kick drum. The preset was edited to the desired pre-delay and decay time that we felt worked for our kick. This gives the reverb the classic pumping effect and some allows for more space in the mix. We’re trying to remove any harshness, mud or resonances that we don’t want. First off, there’s no rule against filtering the lows out of the reverb and just using it to add a bit of flavor to the top end of the kick. However, many producers get even more creative than that and one of the most popular techniques is to apply reverb. It’s important to amend the frequency balance early on so we used the filter to gently remove unwanted frequencies.

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